Antony Gormley

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Antony Gormley
Angel of the North in Gateshead
Born	August 30, 1950 (1950-08-30) (age 58)
Nationality	English
Field	Sculpture

Antony Gormley OBE RA (born 30 August 1950) is an English sculptor. His best known works include the Angel of the North, a public sculpture in Gateshead commissioned in 1995 and erected in February 1998, and Another Place on Crosby Beach near Liverpool.

Contents 1 Biography 2 Major works 3 Proposals not taken forward 4 References 5 External links

[edit] Biography

Born the youngest of seven children, Gormley grew up in a well-off family in Hampstead. Gormley studied at Ampleforth College, Yorkshire. He also studied at Trinity College, Cambridge from 1968 to 1971 before going to India and Sri Lanka to study Buddhism from 1971 to 1974. From 1974 onwards, he attended various colleges in London, completing his studies with a postgraduate course in sculpture at the Slade School of Art, University College London between 1977 and 1979. His career was given early support by Nicholas Serota who had been a near contemporary of Gormley's at Cambridge giving him a solo exhibition at the Whitechapel Art Gallery in 1981.

Almost all of his work takes the human body as its subject, with his own body used in many works as the basis for metal casts.

Gormley describes his work as "an attempt to materialise the place at the other side of appearance where we all live." Many of his works are based on moulds taken from his own body, or "the closest experience of matter that I will ever have and the only part of the material world that I live inside." His work attempts to treat the body not as an object but a place and in making works that enclose the space of a particular body to identify a condition common to all human beings. The work is not symbolic but indexical - a trace of a real event of a real body in time.

Gormley won the Turner Prize in 1994 with Field for the British Isles. In The Guardian (8 September 2007) he was quoted as saying that he was "embarrassed and guilty to have won - it's like being a Holocaust survivor. In the moment of winning there is a sense the others have been diminished. I know artists who've been seriously knocked off their perches through disappointment."

The 2006 Sydney Biennale featured Gormley's Asian Field, an installation of 180,000 small clay figurines crafted by 350 Chinese villagers in five days from 100 tons of red clay. The appropriation of others' works caused minor controversy, with some of the figurines being stolen in protest. Also in 2006, the burning of Gormley's 25-metre high "The Waste Man" formed the zenith of the Margate Exodus.

He is currently a trustee of the Baltic Centre for Contemporary Art and (since April 2007) of the British Museum. He is an Honorary Fellow of Trinity College, Cambridge.

[edit] Major works

Gormley's website includes images of nearly all of his works up to 2007. The most notable include:

• Field (and subsequent recreations).
• Sound II (1986) in the crypt of Winchester Cathedral.
• Iron: Man (1993) Victoria Square, Birmingham.
• Another Place (1997) currently at Crosby Beach near Liverpool.
• Quantum Cloud (1999) Greenwich, UK.
• Angel of the North (1998)
• Time Horizon, the Archaeological Park of Scolacium near Catanzaro in Calabria, Southern Italy ^[1]
• Event Horizon along the South Bank of the Thames, London, UK.
• Filter (2002) acquired by Manchester Art Gallery, Manchester, UK in 2009.

[edit] Proposals not taken forward

• Brick Man, a proposal for the Holbeck Triangle, a disused patch of land bounded by three railway embankments just outside Leeds City station, was to be a representation of the human male form, made in brickwork and standing over 30 metres high. The proposal, made in 1988, was not favoured by the city, which refused planning permission.

• According to an interview with John-Paul Flintoff in the Sunday Times on 2 March 2008, Gormley proposed a 40-foot-high ejaculating man for the waterfront at Seattle. The figure was meant to give an 11-second ejaculation of sea water every five minutes. “I intended it as an ironic comment on the male figure in relation to the whole idea of a fountain, because everyone knows the fountain is a male fantasy of permanent ejaculation.” This was seen as inappropriate, and so was rejected.

[edit] References

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[edit] External links

• Antony Gormley Official Home Page
• Antony Gormley at Xavier Hufkens
• An interview with Gormley by Edward Lucie Smith in RealMedia format
• An interview conducted by F. David Peat
• Gormley's page at the Tate Gallery
• Antony Gormley at Sculpture.org.uk
• Interactive video interview with Gormley and interactive exploration of his work at the Tate Gallery.
• Gormley's exhibition in Guernsey for the International Artist In Residence Programme IAIRP
• Antony Gormley, the man who broke the mould Sunday Times article on 2 March 2008
• Video of Antony Gormley lecture about his work, National Gallery of Victoria, March 2008
• Pictures of Gormley's sculpture in Oxford being erected on 15 February 2009