Snare drum
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1 Crash cymbal | 2 Floor tom | 3 Toms |
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The snare drum is a drum with strands of snares made of curled metal wire, metal cable, plastic cable, or gut cords stretched across the drumhead, typically the bottom. Pipe and tabor and some military snare drums often have a second set of snares on the bottom (internal) side of the top (batter) head to make a "brighter" sound, and the Brazilian caixa commonly has snares on the top of the upper drumhead. The snare drum is considered one of the most important drums of the drum kit.
Today in popular music, especially with rock drum kits, the snare drum is typically used to play a backbeat pattern[1] such as quarter notes on the backbeat or the slightly more interesting:
The snare is sometimes played with brushes as well as with drumsticks.
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[edit] Operation
The drum can be sounded by hitting it with a drumstick or any other form of beater, including brushes and rutes, which produce a softer-sounding vibration from the wires. When using a stick, the drummer may strike either the head of the drum, the rim, or the shell. When the top head is struck the snares vibrate against the bottom head producing a cracking sound. The snares can often be thrown off with a lever on the strainer so that the drum only produces a sound reminiscent of a tom-tom.[2] Rim shots are a technique associated with snare drums in which the head and rim are struck simultaneously with one stick (or in concert playing, a stick placed on the head and rim struck by the opposite stick), and rudiments are sets of basic patterns often played on a snare drum. [3]
Snare drums may be made from various wood, metal, or acrylic materials. A typical diameter for snare drums is 14 inches. Marching snare drums are deeper in size than snare drums normally used for orchestral or drum kit purposes, often measuring in at a foot long. Orchestral and drum set snare drum shells are about 6 inches deep. Piccolo snare drums are even more shallow at about 3 inches deep. Soprano, popcorn, and firecracker snare drums have diameters as small as 8 inches and are often used for higher-pitched special effects.[2]
[edit] Wood shell construction
Most snare drums are constructed in plies that are heat- and compression-molded into a cylinder. Steam-bent shells consist of one ply of wood that is gradually rounded into a cylinder and glued at one seam. Reinforcement hoops are generally needed on the inside surface of the drum to keep it perfectly round. Segment shells are made of multiple stacks of segmented wood rings. The segments are glued together and rounded out by a lathe. Similarly, stave shells are constructed of vertically glued pieces of wood into a cylinder (much like a barrel) that is also rounded out by a lathe. Solid shells are constructed of one solid piece of hollowed wood.
[edit] History
The snare drum seems to have descended from a medieval drum called the Tabor, which was a drum with a single gut snare strung across the bottom. It is a bit bigger then a medium tom and was first used in war, often played with a fife or pipe; the player would play both the fife and drum (see also Pipe and Tabor). [4] [5] Tabors were not always double headed [6] and not all may have had snares. This simple drum with a simple snare became popular with the Swiss mercenary troops who used the fife and drum around the 1400-1500's, due to influence from the Ottoman Turk's use of the drum in their armies. The drum was made deeper and carried along the side. Further developments appeared in the 1600's, with the use of screws to hold down the snares, giving a brighter sound than the rattle of a loose snare. Metal snares appeared in the 1900's.
Heads originally were of calf skin. The invention of the plastic (mylar) drum head is credited to Marion "Chick" Evans[7] who (apparently) made the first plastic drum head in 1956.
The development of drum rudiments seem to have developed with the snare drum; the Swiss fife and drum groups are sometimes credited with their invention [8]. The first written rudiment was in Basel, Switzerland in 1610[9]. Rudiments with familiar names are listed in Charles Ashworth's book in 1812 such as the (single) paradiddle, flam, drag, ratamacue, the roll (a double stroke roll, also called the "ma-ma da-da" roll), among others.
[edit] See also
[edit] References
- ^ a b Schroedl, Scott (2001). Play Drums Today!, p.11. Hal Leonard. ISBN 0-634-02185-0.
- ^ a b Pearl Drums
- ^ Vic Firth
- ^ History of the snare drum
- ^ Another short history of the snare drum
- ^ Definition of Tabor
- ^ History of Evans drum head
- ^ The development of Drum Rudiments, by W F Ludwig
- ^ http://www.pfyffersyte.ch/files/repertoire/hit2005_PundT.php
[edit] External links
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Wikimedia Commons has media related to: Snare drums |
- Marching Snare Drum Heads - Description of types of marching snare drum heads.
- Royal Schools Sources Percussion Page Sources for the prescribed music for the Royal Schools of Music practical exams
- Field Drums Blog Photos, information, critical commentary and analysis of field drums, focusing on drums of the American Civil War
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